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Arcs and Endings (3)
In a Q&A for Creative Screenwriting Magazine, Michael Arndt made the point that “happy endings are really...
POV: When to Shift?
Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief...
Arcs and Endings (2)
Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says:...
Arcs and Endings (1)
The finest writing not only reveals true character, but arcs or changes to that inner nature, for better or worse. In...
Inciting Incident: Planting the Bomb
Keeping the audience interested throughout the ’setup’ is a major challenge as professional readers...
Question: Abbreviations
Question: Can you abbreviate “Mister” into “Mr.” in a film script? Answer: Abbreviations are...
Inciting Incident in Backstory?
Question: Is it possible for the Inciting Incident to happen in backstory? Answer: Technically,...
Conscious vs. Unconscious Desire
Question: When McKee talks about the conscious desire being a contradiction of the unconscious desire, would you...



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