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Arcs and Endings (3)

In a Q&A for Creative Screenwriting Magazine, Michael Arndt made the point that “happy endings are really...

Arcs and Endings (3)
posted on: Jul 9, 2008 | author: Karel Segers

POV: When to Shift?

Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief...

POV: When to Shift?
posted on: Jun 29, 2008 | author: Karel Segers

Arcs and Endings (2)

Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says:...

Arcs and Endings (2)
posted on: Jun 27, 2008 | author: Karel Segers

Arcs and Endings (1)

The finest writing not only reveals true character, but arcs or changes to that inner nature, for better or worse. In...

Arcs and Endings (1)
posted on: Jun 5, 2008 | author: Karel Segers

Inciting Incident: Planting the Bomb

Keeping the audience interested throughout the ’setup’ is a major challenge as professional readers...

Inciting Incident: Planting the Bomb
posted on: Apr 14, 2008 | author: Karel Segers

Question: Abbreviations

Question: Can you abbreviate “Mister” into “Mr.” in a film script? Answer: Abbreviations are...

Question: Abbreviations
posted on: Mar 24, 2008 | author: Karel Segers

Inciting Incident in Backstory?

Question: Is it possible for the Inciting Incident to happen in backstory? Answer: Technically,...

Inciting Incident in Backstory?
posted on: Mar 24, 2008 | author: Karel Segers

Conscious vs. Unconscious Desire

Question: When McKee talks about the conscious desire being a contradiction of the unconscious desire, would you...

Conscious vs. Unconscious Desire
posted on: Mar 24, 2008 | author: Karel Segers

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